But many editors and colorists accustomed to color wheels have really struggled trying to master it (if that’s you, try starting with this Insight on FCPX’s Exposure slider). Some people have been fast to adapt to the FCPX Colorboard. This plugin brings back strong grading features into FCPX, in particular curves and color wheels. I won’t reveal here which FCPX plugin won last year’s challenge but amongst the plugins put to the test was Color Finale, from Color Grading Central. The goal is to find a ‘winner’ plugin, the one you would certainly pick if you could only use one along with your editing program. If you’ve been following Patrick’s ‘Desert Island Challenge’, you know he is reviewing different plugins aimed at increasing the grading experience in NLEs (first FCPX, and now Premiere Pro). How to set up the new Color Finale Pro with the Tangent Ripple? Feel free to welcome Christophe in the Comments! Now he joins them in the Library with his first Insight: A look at the new Color Finale Pro plug-in for FCPX. Since 2014 Christophe has been the Mixing Light ‘Member-At-Large’, keeping Dan, Robbie and Pat on the straight-and-narrow. Tutorials / Color Finale Pro First Look Welcome Christophe Delaunay as a new contributor to the Insights library.
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